Arnaldo Simon

Arnaldo Simón (b. Cuba) is a multidisciplinary artist based in Miami with a background in architecture. He holds a degree in Architecture from Havana and worked in the field for over a decade before expanding his practice into graphic design and writing. His work has been featured in major publications such as Art Nexus, Art Pulse, and El Nuevo Herald, reflecting his diverse creative journey.

Simón's artistic practice spans drawing, sculpture, installation, and video, exploring themes of history, conflict, and transformation. His works have been exhibited in galleries across Miami and San Miguel de Allende, Mexico, and are part of private collections. He has participated in international art events, including CANY: Contemporary Cuban Artists in New York and Zona Maco Art Fair in Mexico City.

Selected Exhibitions

  • 2018RAW WAR, Solo Exhibition, Concrete Space, Doral, FL.
  • 2009BENEATH, Proposal for the Sculpture Center, Long Island City, NY.
  • 2009MAMBRÚ IS GONE TO WAR, Kunsthaus Contemporary Art Space.
  • 2009Santa Fé, San Miguel de Allende, Mexico.
  • 2009ZONA MACO, Feria Contemporánea de Arte, Mexico City, DF.
  • 2009Miami Magic City, Video, International Art Video Festival, Instituto Cervantes de Salvador de Bahía, Brazil.
  • 2008ONE-ONE-TWO, 801 Studios, Miami, FL.
  • 2006EN TRANCE, 801 Studios, Miami, FL.
  • 2005FIRST CALL (Experimental 8 Series), 801 Studios, Miami, FL.
  • 2004THUNDER IN THE NIGHT, Honoring Santa Barbara-Changó, 801 Studios, Miami, FL.
  • 2004801 Studios Opening Exhibition, Miami, FL.

Lianet Martínez Pino is a visual artist born in Cienfuegos, Cuba. She graduated in 2012 with a specialization in Painting from the National Academy of Fine Arts “San Alejandro” in Havana. In 2019, she completed her studies at the Higher Institute of Art (ISA), where she received the distinction of Most Creative Graduate. Since 2011, she has taken part in numerous exhibitions both in Cuba and abroad. Shortly after graduating, she was invited by Nuno Sacramento Contemporary Art Gallery to the artist residency “Mi casa es tu casa,” which concluded with the two-person exhibition “Alquimia” in Aveiro, Portugal. In 2012, 2015, 2019, and 2022 she was selected to participate in the Havana Biennial, where she presented large-scale public works. Her work is part of important collections in the United States, Puerto Rico, Portugal, the Netherlands, Italy, Spain, Switzerland, and Cuba.In 2024, her work was selected within the curatorial section “Ejes,” together with Galería Servando, for the ZONAMACO International Art Fair at the Citibanamex Center in Mexico. That same year, she was chosen to represent Cuba at the Artomatic art event in Washington, D.C., USA. In 2025, two of her works were selected to participate in the ZONAMACO International Art Fair as part of the Galería Habana booth. She was invited to take part in the two-person exhibition “Alquimia de una Isla” held at the Museum of Contemporary Art of the Americas (MoCAA) in the United States. In March of the same year, she represented Cuba at the Osaka International Art Fair in Japan. In August, she was selected for the Unlimited Art Residency in New York, supported by the Cuban Artists Fund and the Rockefeller Brothers Fund, which culminated in the “Blossom” Open Studio. On October 11, she presented her solo exhibition “Espacio Liminal” at Zapata Gallery in Miami, United States. At the end of October, she was invited by the Metropolitan Academy of Art of Chile to give a lecture on her work titled The Body as Shield: Matter, Identity, and Memory. One of her works (Encuentro) is currently on view at FotoFac Gallery as part of the group exhibition “Puertas al Ingenio” at Fábrica de Arte. Also at the end of October, she will be participating with one of her works in the exhibition “Paisaje bajo Sospecha” at Picci Fine Arts Gallery in Mexico City, Mexico.She is currently represented by Génesis Galerías de Arte, working within this group with Galería Habana in Havana, Cuba, and by Zapata Gallery in Miami, United States.

Lianet’s work is characterized by the use of multiple media, scales, and techniques. It includes paintings, drawings, photographs, collages, and sculptural or installation structures whose processes of reference and meaning transcend the two-dimensional plane. It is through this methodology that she channels her ideas. These stem from personal experiences—her own or others’—in dialogue with everyday contexts and broader experiences that inform and shape her working process.
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